Ceramics
A FRENCH LEAD-GLAZED EARTHENWARE GONDOLA CUP, PROBABLY FONTAINEBLEAU OR PARIS
H 8,5 x L 20,5 x l 11,5 cm – Ht 3 ¼ x L 8 x Wd 4 ½ in.
Baron Alphonse de Rothschild (1827-1905)
Baron Edouard de Rothschild (1868-1949)
Confiscated from the above by the Einsatzstab Reichsleiter Rosenberg following the Nazi occupation of France in May 1940 (ERR no. R 4172)
Recovered by the Monuments Fine Arts and Archives Section from the Altaussee salt mines, Austria, and transferred to the Munich Central Collecting Point, 23 June 1946 (MCCP no. 340/7)
Returned to France on 9 January 1946 and restituted to the Rothschild family
Baron Guy de Rothschild (1909-2007), Hôtel Lambert, Paris, and by descent
Bernard Palissy
Steeped in scientific observation and a deep curiosity for nature, Bernard Palissy (1510–1590) was a ceramicist, inventor, writer, and theorist of both art and science. He is best known for his “rustic ware” (rustiques figulines), ceramic dishes and objects decorated with casts of animals, plants, and minerals, blending naturalistic realism with technical innovation. His works reflect a desire to represent nature as directly and expressively as possible.
“I have devoted all my understanding and labor to imitating the natural things of creation, believing that in them resides an infinite beauty that surpasses all human invention.”
— Bernard Palissy
For Palissy, the act of creation was inseparable from the study of nature. He tirelessly explored the relationship between observation, experimentation, and representation. His relentless pursuit of the secrets of glaze and ceramic led him to burn his own furniture to feed his kilns, a symbol of his uncompromising devotion to research. His oeuvre embodies a singular ambition: to unite art, craftsmanship, and science within one practice.
Biographical Elements
French, born in Saintes around 1510 and died in Paris in 1590.
Bernard Palissy lived a life marked by his Protestant faith, which subjected him to persecution and imprisonment during the Wars of Religion. A self-taught artist, he developed his ceramic techniques through constant experimentation. He taught natural sciences at the Tuileries Garden in Paris under the patronage of Catherine de’ Medici. His writings, such as Discours admirables (1580), combined reflections on nature, geology, and hydrology, and had a lasting influence on scientific thought. His ceramic works are today held in major museums, including the Louvre.